Lena Younger is a 60-year-old matriarch, meaning she’s a woman who rules or dominates her family. Mama heavily relies on her unyielding faith in God and always puts her family first in all decisions. Ultimately, Mama believes that a man should run the household and is she is eager to demonstrate her confidence in her son’s ability to lead the family. Because of this, after using a portion of the $10,000 insurance check for the down payment on a house in a middle-class neighborhood, mama gives the remainder of the money to her son to keep for their future. Asagai is very intent on putting money towards missions and he thinks that money should be used to help the common good. Overall, Lorraine Hansberry discusses the concept of money a great deal in the play.
This causes the Youngers to become closer and move in to the new house. When the inheritance arrives walter is has a nervous breakdown and leaves the house for a week or so and mama goes looking for him. Mama doesn’t like seeing her son sad so she eventually ends up giving walter half the money saying to put two thousand in a bank account for bennie his younger sisters schooling and to keep the rest for himself. The money that mama gave walter never gets put into a bank account and ends up getting stolen by his friend Willy Harris.Walter never gets to accomplish his dream of having a liquor store.
But instead of giving up, Mama does everything she can for it and has confidence that one day it will flourish. To improve her family’s life, Mama forsakes dreams of her own and lives vicariously through her family. After receiving the Insurance check, she builds a strong desire to move her family to a home so that they would have a better life. The money aids in furthering Mama’s desire to help her children rise from poverty, knowing that it is now conceivable to do so.
Major Themes In A Raisin In The Sun By Lorraine Hansberry
By portraying the Youngers as close to middle class, the audience is able to continue to support the Youngers’ in their quest for a better life without having to admit there is inequality based solely on the color of the Younger’s skin. This directorial decision in regards to the setting of the living room somewhat reinforces the concept of oppression but revises the role society has in being part of the solution. The change from classical to post-classical was a result of the progression in sophistication of both “creator and consumer” of the film, and the technologies used to create it. According to Casper with Edwards in Introduction to Film Reader, there were various types of experimentation that occurred within this period such as using “genre as a vehicle”, “nostalgia”, “topical accommodation”, amongst others . In Reality Television, Melodrama, and the Great Recession, Susan Schuyler states that “melodrama fluidly adapt to changing public tastes, borrowing tropes and techniques from diverse dramatic genres” .
Phyllis’ other talents include that of a writer and spoken word artist. In 2019 her piece, “I Love My Mother” was selected and performed by her at the fifth annual season of “Thinking In Full Color’s, which is an award-winning organization that empowers women of color through education and the arts. Having begun her jazz career in Europe, Phyllis was a very well-known vocalist in Italy. Especially noted are her collaborations with great Italian musicians like Tullio De Piscopo and Pino Daniele. She also has performed in several European jazz festivals and music tours, and her international performances include Germany, Italy, and the UK. Upon returning to the US, Phyllis continued her love of jazz with performances at various venues in New York, New Jersey as well as Washington DC. She is also a member of the Carrie Jackson Vocal Collective.
Stereotypes In Lorraine Hansberry’s A Raisin In The Sun
He wants to be a successful and wealthy business man, but he doesn’t thoroughly think of the process it will take to achieve this goal. ” to Walter she’s making an example as well, and showing him how foolish he’s acting by giving him exactly what he gave his son “fifty cents”. Travis Younger (Walter and Ruth’s son) is a 10-year-old boy who is a little spoiled, but is a good-natured child. For example, even though Mama makes up for Travis when he gets into trouble with his parents, Travis earns money for carrying grocery bags and does not complain about sleeping on the living room sofa because he has no bedroom. In the beginning of the play Beneatha talks to her mother about her relationship with George Murchison, her wealthy suitor. She says,” George looks good, he’s got hop over to here a beautiful car and he takes me to nice places- but if the Youngers are sitting around waiting to see if their little Bennie is going to tie up the family with the Murchisons, they are wasting their time.
- She goes to college and works at the agency instead of just working for her parents at their restaurant, she wanted more for herself in life.
- She ends law essay writing up doing all kinds of jobs to enable the family to move to a better house.
- Mr. Lindner a man from the neighborhood comes to the Younger house trying to convince them to not destroy the white community.
Rather than pushing her away, family turned out to be the element that brought her in and encouraged her to find her identity as a mother. What describes family is not the people who are blood related or someone who has an obligation. Family is the people who play the largest role in shaping identity. Now, that identity can take the form of a number of characteristics in relation to family. No matter how adoring a family might be, with their newfound identity, it is not always in the best interest of the individual to stay close to home.
A Raisin In The Sun Thesis Statements And Important Quotes Essay
Joseph encourages Beneatha to accept her heritage and rise above oppressive white society. It’s is her interactions with Joseph that lead Beneatha to a drastic show of rebellion as she cuts off her hair into a closely cropped, ethnic style. This is Beneatha’s way of embracing her ethnicity and making a statement to society that African Americans shouldn’t have to change their appearance to be accepted. Hansberry reveals her theme that white society oppresses African Americans by pushing them into assimilating into white society rather than encouraging them to embrace their roots. Petrie not only revises Hansberry’s central theme of society responsibility for oppression by deleting the reveal of haircut scene but also the influence of Asagai. Deleting this scene removes both her assimilation into white society and her defiance of those constraints.